{"id":1102,"date":"2016-08-26T14:23:33","date_gmt":"2016-08-26T20:23:33","guid":{"rendered":"https:\/\/vsfp.byu.edu\/?page_id=1102"},"modified":"2017-01-05T19:18:55","modified_gmt":"2017-01-06T01:18:55","slug":"tales-and-the-oral-tradition","status":"publish","type":"page","link":"https:\/\/vsfp.byu.edu\/index.php\/tales-and-the-oral-tradition\/","title":{"rendered":"Tales and the Oral Tradition"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>If there were a nineteenth century synonym for \u201cshort story,\u201d it would be \u201ctale.\u201d It is by far the most common term used by nineteenth century authors to refer to their own short fiction. However, its use was not limited to brief narratives; authors also used it to refer to novel-length texts, such as Elizabeth Gaskell\u2019s <em>Mary Barton: A Tale of Manchester Life<\/em> (1848), and to narrative verse, such as Sir Walter Scott\u2019s <em>Marmion: A Tale of Flodden Field <\/em>(1808). Anthony Jarrells explores the variable nature of the tale, arguing that unlike the novel, and later the short story, \u201cthe tale remained open to the forms and content that surrounded it and in many cases made no attempt at synthesis.\u201d<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_1102_1('footnote_plugin_reference_1102_1_1');\" onkeypress=\"footnote_moveToReference_1102_1('footnote_plugin_reference_1102_1_1');\" ><sup id=\"footnote_plugin_tooltip_1102_1_1\" class=\"footnote_plugin_tooltip_text\">1<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_1102_1_1\" class=\"footnote_tooltip\">Anthony Jarrells, \u201cShort Fictional Forms and the Rise of the Tale,\u201d in <em>The Oxford History of the Novel in English: Volume 2, English and British Fiction 1750-1920<\/em>. Eds. Peter Garside and Karen O\u2019Brien, Oxford: Oxford UP, 2015, 478-94: 491.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_1102_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_1102_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top right', relative: true, offset: [10, 10], });<\/script> The adaptable nature of the tale made it an ideal term for authors to use in referring to a variety of texts that might only be united by their oblique reference to a tale-telling tradition.<\/p>\n<p>The term \u201ctale\u201d roots short fiction in an oral tradition. Walter Allen explains, \u201cas etymology indicates, the tale was an oral form, composed to hold an audience, listeners not readers.\u201d<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_1102_1('footnote_plugin_reference_1102_1_2');\" onkeypress=\"footnote_moveToReference_1102_1('footnote_plugin_reference_1102_1_2');\" ><sup id=\"footnote_plugin_tooltip_1102_1_2\" class=\"footnote_plugin_tooltip_text\">2<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_1102_1_2\" class=\"footnote_tooltip\">Walter Allen, <em>The Short Story in English, <\/em>Oxford and New York: Clarendon Press and Oxford University Press, 1981: 3.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_1102_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_1102_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top right', relative: true, offset: [10, 10], });<\/script> The term, then, links the printed fiction of the eighteenth and nineteenth centuries with its ancient oral precursors\u2014legends, folk tales, fables, myths, tall tales, and fairy tales, among others. As modes of oral story-telling, these traditions have several characteristics that transferred quite naturally to written short fiction: they need to be brief enough to be heard in one sitting (think of Poe\u2019s requirement for a tale\u2014that it be short enough to read in a half hour to two hours); they must entertain their audience, either through compelling action, moral or religious import, or sympathetic bond; and they are rooted in a particular place and people.<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_1102_1('footnote_plugin_reference_1102_1_3');\" onkeypress=\"footnote_moveToReference_1102_1('footnote_plugin_reference_1102_1_3');\" ><sup id=\"footnote_plugin_tooltip_1102_1_3\" class=\"footnote_plugin_tooltip_text\">3<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_1102_1_3\" class=\"footnote_tooltip\">Both Tim Killick and Anthony Jarrells discuss these aspects of the tale.\u00a0 See Tim Killick, <em>British Short Fiction in the Early Nineteenth Century: The Rise of the Tale<\/em>, Ashgate, 2008; and Jarrells, 478-94.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_1102_1_3').tooltip({ tip: '#footnote_plugin_tooltip_text_1102_1_3', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top right', relative: true, offset: [10, 10], });<\/script><\/p>\n<p>Authors relied upon the assumptions inherent to the oral tradition. Tim Killick, in his study of early nineteenth century tales, demonstrates that using the term meant authors \u201ccould tap into a wide range of associations and provide a flexible shorthand.\u201d Tales were associated, he finds, with moral instruction, with a \u201cbalance between actuality and artifice,\u201d and with \u201cunfussy honesty,\u201d so that an author could \u201cavoid the accusations which a \u2018novel\u2019 could attract\u201d of morally dubious content and instruction.<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_1102_1('footnote_plugin_reference_1102_1_4');\" onkeypress=\"footnote_moveToReference_1102_1('footnote_plugin_reference_1102_1_4');\" ><sup id=\"footnote_plugin_tooltip_1102_1_4\" class=\"footnote_plugin_tooltip_text\">4<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_1102_1_4\" class=\"footnote_tooltip\">Killick, 19. Similarly, Anthony Jarrells argues that the term tale often indicated moral didacticism (Jarrells, 489) <\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_1102_1_4').tooltip({ tip: '#footnote_plugin_tooltip_text_1102_1_4', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top right', relative: true, offset: [10, 10], });<\/script><\/p>\n<p>As the oral tradition of the tale took on written form, the genre encompassed many narratives that exhibited aspects of both oral and written communication. In his discussion of the Irish author, William Carleton, Harold Orel notes Carleton\u2019s indebtedness to an oral tale-telling tradition: \u201c[b]ehind his back [was] an oral tradition, the acknowledged presence of an audience, an emphasis on colorful incident and verbal exaggeration; ahead of him, the more formal cadences of written prose, the weight of English literary tradition, the importance of style and formal design.&#8221;<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_1102_1('footnote_plugin_reference_1102_1_5');\" onkeypress=\"footnote_moveToReference_1102_1('footnote_plugin_reference_1102_1_5');\" ><sup id=\"footnote_plugin_tooltip_1102_1_5\" class=\"footnote_plugin_tooltip_text\">5<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_1102_1_5\" class=\"footnote_tooltip\">Harold Orel, <em>The Victorian Short Story: The Development and Triumph of a Literary Genre<\/em>, Cambridge and New York: Cambridge UP, 1986: 14.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_1102_1_5').tooltip({ tip: '#footnote_plugin_tooltip_text_1102_1_5', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top right', relative: true, offset: [10, 10], });<\/script> Many nineteenth century authors of short fiction exhibited these same tendencies; take, for example, the common practice of including a frame narrative at the beginning of a short tale\u2014perhaps a grandmother relating a story to her grandchild, or shipmates entertaining one another with tales during a lull in their work. The frame sets up a fictitious oral element that more fully integrates the expressions and rhythms of the spoken word with the conventions of a published tale.<\/p>\n<p>\u201cTale\u201d is not the only term denoting an oral tradition in Victorian short fiction.\u00a0 Authors of these texts often re-wrote myths, recorded traditional legends, and referred to their fictional work as fables.\u00a0 What becomes readily apparent is that the constant presence of an oral story-telling tradition underwrites the majority of the short fiction of the time.<\/p>\n<h2>Significant Terms<\/h2>\n<ul>\n<li>Tale<\/li>\n<li>Folktale<\/li>\n<li>Fairy tale<\/li>\n<li>Tale of Terror\/Gothic Tale<\/li>\n<li>Legend<\/li>\n<li>Fable<\/li>\n<li>Anecdote<\/li>\n<\/ul>\n<h2>Selected Examples<\/h2>\n<ul>\n<li><a href=\"https:\/\/vsfp.byu.edu\/index.php\/title\/the-legend-of-diarmuid-and-grania\/\">The Legend of Diarmuid and Grania<\/a><\/li>\n<li><a href=\"https:\/\/vsfp.byu.edu\/index.php\/title\/the-abbot-and-the-black-penitent\/\">The Abbot and the Black Penitent<\/a><\/li>\n<li><a href=\"https:\/\/vsfp.byu.edu\/index.php\/title\/beautiful-lucy-pierson\/\">Beautiful Lucy Pierson: A Tale<\/a><\/li>\n<\/ul>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_1102_1();\">Notes<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_1102_1();\">[<a id=\"footnote_reference_container_collapse_button_1102_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_1102_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">Notes<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_1102_1('footnote_plugin_tooltip_1102_1_1');\"><a id=\"footnote_plugin_reference_1102_1_1\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>1<\/a><\/th> <td class=\"footnote_plugin_text\">Anthony Jarrells, \u201cShort Fictional Forms and the Rise of the Tale,\u201d in <em>The Oxford History of the Novel in English: Volume 2, English and British Fiction 1750-1920<\/em>. Eds. Peter Garside and Karen O\u2019Brien, Oxford: Oxford UP, 2015, 478-94: 491.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_1102_1('footnote_plugin_tooltip_1102_1_2');\"><a id=\"footnote_plugin_reference_1102_1_2\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>2<\/a><\/th> <td class=\"footnote_plugin_text\">Walter Allen, <em>The Short Story in English, <\/em>Oxford and New York: Clarendon Press and Oxford University Press, 1981: 3.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_1102_1('footnote_plugin_tooltip_1102_1_3');\"><a id=\"footnote_plugin_reference_1102_1_3\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>3<\/a><\/th> <td class=\"footnote_plugin_text\">Both Tim Killick and Anthony Jarrells discuss these aspects of the tale.\u00a0 See Tim Killick, <em>British Short Fiction in the Early Nineteenth Century: The Rise of the Tale<\/em>, Ashgate, 2008; and Jarrells, 478-94.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_1102_1('footnote_plugin_tooltip_1102_1_4');\"><a id=\"footnote_plugin_reference_1102_1_4\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>4<\/a><\/th> <td class=\"footnote_plugin_text\">Killick, 19. Similarly, Anthony Jarrells argues that the term tale often indicated moral didacticism (Jarrells, 489) <\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_1102_1('footnote_plugin_tooltip_1102_1_5');\"><a id=\"footnote_plugin_reference_1102_1_5\" class=\"footnote_backlink\"><span class=\"footnote_index_arrow\">&#8593;<\/span>5<\/a><\/th> <td class=\"footnote_plugin_text\">Harold Orel, <em>The Victorian Short Story: The Development and Triumph of a Literary Genre<\/em>, Cambridge and New York: Cambridge UP, 1986: 14.<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_1102_1() { jQuery('#footnote_references_container_1102_1').show(); jQuery('#footnote_reference_container_collapse_button_1102_1').text('\u2212'); } function footnote_collapse_reference_container_1102_1() { jQuery('#footnote_references_container_1102_1').hide(); jQuery('#footnote_reference_container_collapse_button_1102_1').text('+'); } function footnote_expand_collapse_reference_container_1102_1() { if (jQuery('#footnote_references_container_1102_1').is(':hidden')) { footnote_expand_reference_container_1102_1(); } else { footnote_collapse_reference_container_1102_1(); } } function footnote_moveToReference_1102_1(p_str_TargetID) { footnote_expand_reference_container_1102_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_1102_1(p_str_TargetID) { footnote_expand_reference_container_1102_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>&nbsp; If there were a nineteenth century synonym for \u201cshort story,\u201d it would be \u201ctale.\u201d It is by far the most common term used by nineteenth century authors to refer to their own short fiction. However, its use was not limited to brief narratives; authors also used it to refer to novel-length texts, such as [&hellip;]<\/p>\n","protected":false},"author":124,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"class_list":["post-1102","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/vsfp.byu.edu\/index.php\/wp-json\/wp\/v2\/pages\/1102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vsfp.byu.edu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vsfp.byu.edu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vsfp.byu.edu\/index.php\/wp-json\/wp\/v2\/users\/124"}],"replies":[{"embeddable":true,"href":"https:\/\/vsfp.byu.edu\/index.php\/wp-json\/wp\/v2\/comments?post=1102"}],"version-history":[{"count":19,"href":"https:\/\/vsfp.byu.edu\/index.php\/wp-json\/wp\/v2\/pages\/1102\/revisions"}],"predecessor-version":[{"id":1776,"href":"https:\/\/vsfp.byu.edu\/index.php\/wp-json\/wp\/v2\/pages\/1102\/revisions\/1776"}],"wp:attachment":[{"href":"https:\/\/vsfp.byu.edu\/index.php\/wp-json\/wp\/v2\/media?parent=1102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}